"Ave Maria" by Giulio Caccini, Vladimir Vavilov, Friar Alessandro, Guido Rimonda, Camerata Ducale was released on October 23, 2015. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Voice Of Peace by Friar Alessandro, Guido Rimonda, Camerata Ducale. The song's track number on the album is #5 out of 12 tracks. Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Ave Maria by Giulio Caccini, Vladimir Vavilov, Friar Alessandro, Guido Rimonda, Camerata Ducale has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Ave Maria being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XI Madrigal: Dovrò dunque morire | Giulio Caccini, Estrella Cuello, Darío Moreno, Ensemble Masquevoces, Francisco López | D Major | 1 | 10B | 85 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) | Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Minor | 1 | 3A | 169 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Barber: Agnus Dei | Samuel Barber, Winchester Cathedral Choir, David Hill | B♭ Minor | 1 | 3A | 71 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Ave Maria (Arr. Julian Yu) | Vladimir Vavilov, Julian Yu, Giulio Caccini, Shu-Cheen Yu, Antony Walker, Sinfonia Australis | G Minor | 1 | 6A | 69 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Ave Maria (Caccini) | Giorgia Fumanti | A♭ Major | 5 | 4B | 85 BPM | ||
String Quartet in F Major, Op. 3, No. 5, Hob. III:17: II. Andante cantabile | Roman Hoffstetter, Tchaikovsky Chamber Orchestra, Lazar Gosman | C Major | 1 | 8B | 104 BPM |
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