- BPM
- 67
- Key
- G Major
- Camelot
- 9B
Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) - Matt Haimovitz, Christopher O'Riley Information
- Acousticness
- 97%
- Danceability
- 29%
- Energy
- 17%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -22.314 dB
Summary
"Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. The duration of Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #5. Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) BPM
With Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) by Matt Haimovitz, Christopher O'Riley having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Vertigo Suite: II. The Nightmare (Arr. C. O'Riley for Cello & Piano) Key
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello concerto in D major, Hob. VII b. 2: II. Adagio | Joseph Haydn, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | A♭ Major | 0 | 4B | 96 BPM | |
 | Schwanengesang D. 957: No. 13, The Wraith - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | B Major | 0 | 1B | 140 BPM | |
 | Das Mädchen und der Engel, Pt. 1: Chapter 1a, Da! Hört ihr das? | Luna Pearl Woolf, Cornelia Funke, Matt Haimovitz, Uccello | C Major | 2 | 8B | 88 BPM | |
 | Vocalise, Op.34, No.14, Lentamente cantabile - Transcr. for cello and piano by Rachmaninov | Sergei Rachmaninoff, Henri Demarquette, Vanessa Benelli Mosell | E♭ Major | 3 | 5B | 109 BPM | |
 | 3 Pieces for Cello & Piano: I. Moderato | Nadia Boulanger, Matt Haimovitz, Mari Kodama | E♭ Minor | 0 | 2A | 169 BPM | |
 | Break Away: III. Smoke | Jessie Montgomery, PUBLIQuartet | A Minor | 1 | 8A | 122 BPM | |
 | Frozen River Flows | Dobrinka Tabakova, Roman Mints, Raimondas Sviackevičius, Donatas Bagurskas | E♭ Major | 0 | 5B | 135 BPM | |
 | The Motion Between Three Worlds | inti figgis-vizueta, Matt Haimovitz | G Major | 1 | 9B | 108 BPM | |
 | Kyrie (Arr. M. Haimovitz for Cello Quartet) | Josquin des Prez, Matt Haimovitz | A♭ Major | 1 | 4B | 134 BPM | |
 | Ciaccona, Intermezzo e Adagio: III. Adagio | Matt Haimovitz | A♭ Major | 1 | 4B | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6213927268981934
End: 0.6256847381591797