Marc-Antoine Charpentier, April Cantelo, Helen Gelmar, James Bowman, Ian Partridge, Christopher Keyte, Choir of King's College, Cambridge, Sir David Willcocks, English Chamber Orchestra's 'Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Offertoire (Laissez paître vos bestes)' came out on 1989. With this song being about 5 minutes long, at 4:45, "Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Offertoire (Laissez paître vos bestes)" by Marc-Antoine Charpentier, April Cantelo, Helen Gelmar, James Bowman, Ian Partridge, Christopher Keyte, Choir of King's College, Cambridge, Sir David Willcocks, English Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 18 in Charpentier - Sacred Choral Works by Marc-Antoine Charpentier, Dame Felicity Lott/Choir of King's College, Cambridge/Academy of St Martin-in-the-Fields/English Chamber Orchestra/Sir Philip Ledger/Sir David Willcocks/Eiddwen Harrhy/April Cantelo/Helen Gelmar/Charles Brett/James Bowman/Ian Partridge/Step, Philip Ledger, Sir David Willcocks, Academy of St. Martin in the Fields, English Chamber Orchestra. Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Offertoire (Laissez paître vos bestes) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702) (1989 Digital Remaster): Offertoire (Laissez paître vos bestes) by Marc-Antoine Charpentier, April Cantelo, Helen Gelmar, James Bowman, Ian Partridge, Christopher Keyte, Choir of King's College, Cambridge, Sir David Willcocks, English Chamber Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie | B♭ Minor | 1 | 3A | 81 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Oedipus, Z.583: Music for a While | Henry Purcell, James Bowman, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 76 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM |
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