"Sacred Music: Hear My Prayer, O Lord" by Timothy Brown, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Andrew Manze, Marshall Marcus, Robert Howes, Tim Handley, Nicholas Parker, Ron Bryans, Micheal Laird, Crispian Steele-Perkins, Henry Purcell, Baroque Brass Of London, William Carter, Keri Dexter, Mark Bennet, Jan Schlapp, Jonathan Brown, Liz Kenny, Choir of Clare College, Cambridge was released on December 20, 2006. The duration of Sacred Music: Hear My Prayer, O Lord is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Sacred Music: Hear My Prayer, O Lord's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sacred Music, Dioclesian Songs Part: 1". In this album, this song's track order is #7. Sacred Music: Hear My Prayer, O Lord is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sacred Music: Hear My Prayer, O Lord by Timothy Brown, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Andrew Manze, Marshall Marcus, Robert Howes, Tim Handley, Nicholas Parker, Ron Bryans, Micheal Laird, Crispian Steele-Perkins, Henry Purcell, Baroque Brass Of London, William Carter, Keri Dexter, Mark Bennet, Jan Schlapp, Jonathan Brown, Liz Kenny, Choir of Clare College, Cambridge having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Gloria in D, R.589: 3. Laudamus te | Antonio Vivaldi, Judith Nelson, Emma Kirkby, Academy of Ancient Music, Simon Preston | F♯ Major | 1 | 2B | 91 BPM | ||
Hymne à la Vierge | Pierre Villette, Richard Egarr, Timothy Brown | F Major | 0 | 7B | 57 BPM | ||
L'Orfeo: Toccata | Claudio Monteverdi, Jordi Savall, Le Concert Des Nations | F♯ Minor | 3 | 11A | 129 BPM | ||
Not Entered: Ave maria | Parsons, Choir of Clare College, Cambridge, Timothy Brown | A Major | 1 | 11B | 130 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM |
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