Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch's 'Chansons (arr. for voice and chamber ensemble): Quel fronte signorille La dolce vista' came out on May 2, 1996. Chansons (arr. for voice and chamber ensemble): Quel fronte signorille La dolce vista is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The song is number 3 out of 17 in Dufay: Chansons by Guillaume Dufay, Michael Posch. Based on our statistics, Chansons (arr. for voice and chamber ensemble): Quel fronte signorille La dolce vista's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chansons (arr. for voice and chamber ensemble): Quel fronte signorille La dolce vista by Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: Bransle de la Torche | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 91 BPM | ||
The English Dance Master, Part I: Kemps Jegg (Roland) | John Playford, Les Witches | D Minor | 2 | 7A | 107 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
Cantiga No. 10, "Rosa das rosas": Instrumental (CSM 259) | Alfonso X El Sabio, Unicorn Ensemble | F Major | 1 | 7B | 119 BPM | ||
Dance V (from "In the Upper Room")/ Par droit je puis bien | Philip Glass, Guillaume Dufay, Lautten Compagney | F Major | 5 | 7B | 134 BPM |
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