- BPM
- 77
- Key
- A♭ Major
- Camelot
- 4B
Old American Songs: Long Time Ago - Set One - Aaron Copland, William Warfield, Columbia Symphony Orchestra Information
- Acousticness
- 99%
- Danceability
- 9%
- Energy
- 5%
- Instrumentalness
- 84%
- Liveness
- 11%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 11%
- Popularity
- 6%
- Loudness
- -28.515 dB
Summary
"Old American Songs: Long Time Ago - Set One" by Aaron Copland, William Warfield, Columbia Symphony Orchestra was released on 1963. The duration of Old American Songs: Long Time Ago - Set One is about 3 minutes long, at 3:11. Based on our data, "Old American Songs: Long Time Ago - Set One" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Old American Songs: Long Time Ago - Set One is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Old American Songs: Long Time Ago - Set One BPM
The tempo marking of Old American Songs: Long Time Ago - Set One by Aaron Copland, William Warfield, Columbia Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Old American Songs: Long Time Ago - Set One Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | |
 | Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | |
 | Appalachian Spring: VII. Doppio movimento | Aaron Copland, London Symphony Orchestra | D♭ Major | 1 | 3B | 77 BPM | |
 | Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | |
 | 4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | |
 | Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | |
 | Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | |
 | Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | |
 | Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | |
 | Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8146100044250488
End: 0.8189866542816162