Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers, Karl Dent's 'Vespers (All-Night Vigil), Op. 37: IV. O Serene Light' had a release date set for May 1, 1990. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Rachmaninoff: Vespers (All-Night Vigil), Op. 37". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Vespers (All-Night Vigil), Op. 37: IV. O Serene Light is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vespers (All-Night Vigil), Op. 37: IV. O Serene Light by Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers, Karl Dent having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Thee, O Full of Grace | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | G Major | 1 | 9B | 126 BPM | ||
Vespers, Op. 37: X. "Voskreseniye Khristovo videvshe" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 1 | 7A | 65 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 84 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
4 Songs of Love: No. 2, Until the Daybreak | Sven-David Sandström, State Choir Latvija, Māris Sirmais | F Minor | 0 | 4A | 136 BPM | ||
Mass for Four Voices: II. Gloria in excelsis | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | F♯ Minor | 1 | 11A | 81 BPM | ||
Vecheri tvoeya tainïya (Of Thy mystical supper), Op. 58 | Alexander Gretchaninov, Alexei Buzakin, St.Petersburg Chamber Choir, Nikolai Korniev | E Major | 0 | 12B | 87 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM |