Johann Sebastian Bach, Catrin Finch's 'Goldberg Variations, BWV 988: Var. 13 a 2 Clav.' came out on January 1, 2008. The duration of Goldberg Variations, BWV 988: Var. 13 a 2 Clav. is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Var. 13 a 2 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 32 in Bach, J.S.: Goldberg Variations, BWV 988 by Johann Sebastian Bach, Catrin Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Goldberg Variations, BWV 988: Var. 13 a 2 Clav. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goldberg Variations, BWV 988: Var. 13 a 2 Clav. by Johann Sebastian Bach, Catrin Finch is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Bach, JS / Orch Mahler: Orchestral Suite No. 3 in D Major, BWV 1068: II. Aria (Orch. Mahler) | Johann Sebastian Bach, Camille Berthollet, Julie Berthollet, Grégoire Dubruel, Mathieu Herzog, Rémi Rière | D Major | 1 | 10B | 137 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM |
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