John Wilbye, Alfred Deller, Deller Consort made "The second set of madrigals (1609) - XXXII: Stay, Corydon, thou swain" available on May 19, 2009. The duration of The second set of madrigals (1609) - XXXII: Stay, Corydon, thou swain is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The second set of madrigals (1609) - XXXII: Stay, Corydon, thou swain's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The second set of madrigals (1609) - XXXII: Stay, Corydon, thou swain's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The second set of madrigals (1609) - XXXII: Stay, Corydon, thou swain by John Wilbye, Alfred Deller, Deller Consort is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weepe, O mine eyes | John Bennet, The Hilliard Ensemble, Paul Hillier | G Minor | 0 | 6A | 0 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
3 Carol-Anthems: No. 1, Here Is the Little Door | Herbert Howells, Owain Park, The Gesualdo Six | C Minor | 2 | 5A | 81 BPM | ||
Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM | ||
Membra Jesu nostri, BuxWV 75: IId. Ad genua: Ut te quaeram mente pura | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
The Lady Oriana | John Wilbye, I Fagiolini, Robert Hollingworth | A Major | 1 | 11B | 64 BPM | ||
Guerrero: O Virgo Benedicta | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM |
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