Bachianas brasileiras No. 7: I. Preludio: Ponteio - Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn Information

Acousticness: 92%
Danceability: 8%
Energy: 11%
Instrumentalness: 91%
Liveness: 11%
Loudness: 70%
Speechiness: 4%
Valence: 5%
Popularity: 14%
Loudness: -17.915 dB

Summary

"Bachianas brasileiras No. 7: I. Preludio: Ponteio" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on November 15, 2005. Since Bachianas brasileiras No. 7: I. Preludio: Ponteio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #1 out of 29 tracks. Bachianas brasileiras No. 7: I. Preludio: Ponteio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bachianas brasileiras No. 7: I. Preludio: Ponteio BPM

Since Bachianas brasileiras No. 7: I. Preludio: Ponteio by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 47 beats per a minute, the tempo markings of this song would be Lento (slowly). With Bachianas brasileiras No. 7: I. Preludio: Ponteio being at 47 BPM, the half-time would be 24 BPM with a double-time of 94 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Bachianas brasileiras No. 7: I. Preludio: Ponteio Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Las 4 Estaciones Porteñas (Arr. L. Desyatnikov for Violin & Strings): No. 1, Otoño Porteño [Autumn]	Astor Piazzolla, Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero	A Minor	1	8A	140 BPM
Symphony No. 2 in B Minor: I. Allegro	Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber	G Major	3	9B	137 BPM
Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride	Aaron Copland, Los Angeles Philharmonic, Zubin Mehta	F Major	2	7B	93 BPM
Pictures at an Exhibition: Gnomus	Modest Mussorgsky, Evgeny Kissin	D♭ Minor	0	12A	133 BPM
Villa-Lobos: A prole do bebê No. 1, W. 140: VIII. A bruxa (A boneca de pano). Allegretto	Heitor Villa-Lobos, Nelson Freire	D Major	2	10B	74 BPM
Capriccio espagnol, Op. 34: III. Alborada	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	B♭ Major	2	6B	133 BPM
Petite suite: I. En bateau (arr. H. Busser for orchestra): III. Menuet	Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl	G Major	0	9B	133 BPM
Enigma Variations: Variation XIV. E.D.U - Allegro	Edward Elgar, Sir Colin Davis, London Symphony Orchestra	G Major	2	9B	88 BPM
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell")	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	D♭ Minor	0	12A	67 BPM
Variaciones Sobre un Tema de F.Sor, Op. 15	Miguel Llobet Solés, Andrés Madariaga	E Minor	2	9A	81 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.756951093673706

End: 0.763148307800293