Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act I - "24. First Character Dance - Coda"" available on October 14, 2011. The duration of Le Corsaire: Act I - "24. First Character Dance - Coda" is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Le Corsaire: Act I - "24. First Character Dance - Coda"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 24 out of 70. Based on our statistics, Le Corsaire: Act I - "24. First Character Dance - Coda"'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Le Corsaire: Act I - "24. First Character Dance - Coda" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM | ||
Giselle: Act I: Polacca | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 1 | 11B | 87 BPM | ||
Symphony No. 3 in D Minor, Op. 41: IV. Finale. Allegro | Franz Paul Lachner, Evergreen Symphony Orchestra, Gernot Schmalfuss | F Major | 3 | 7B | 136 BPM | ||
Act I: Friends Of Kitri (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 72 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E♭ Major | 3 | 5B | 123 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM |
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