"Stradella: Cantata Crocifissione e morte di Nostro Signore Gesù Christo: I. Sinfonia - II. Recitativo, "Dà cuspide ferrate"" by Alessandro Stradella, Gérard Lesne, Il Seminario Musicale was released on 1999. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 24 in Caldara & Stradella - Cantatas & Motets by Gérard Lesne, Sandrine Piau, Il Seminario Musicale. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Stradella: Cantata Crocifissione e morte di Nostro Signore Gesù Christo: I. Sinfonia - II. Recitativo, "Dà cuspide ferrate" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stradella: Cantata Crocifissione e morte di Nostro Signore Gesù Christo: I. Sinfonia - II. Recitativo, "Dà cuspide ferrate" by Alessandro Stradella, Gérard Lesne, Il Seminario Musicale is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: I. Andante Lento | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Recitativo (Primo e Secondo Giudice, Testo) | Alessandro Stradella, Roberto Balconi, Luca Dordolo, Matteo Bellotto, Ensemble Aurora, Enrico Gatti | E Major | 1 | 12B | 130 BPM | ||
Concerto in D Major, Op. 6 No. 1: I. Largo - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM |
Section: 0.5285303592681885
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