- BPM
- 71
- Key
- G Major
- Camelot
- 9B
Act I: Quartet - Mir ist so wunderbar - Ludwig van Beethoven, Sir Colin Davis Information
- Acousticness
- 99%
- Danceability
- 23%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -20.761 dB
Summary
"Act I: Quartet - Mir ist so wunderbar" by Ludwig van Beethoven, Sir Colin Davis was released on March 23, 1999. With this song being about 5 minutes long, at 4:44, "Act I: Quartet - Mir ist so wunderbar" by Ludwig van Beethoven, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 11 in Beethoven For Relaxation by Ludwig van Beethoven, Various Artists. Act I: Quartet - Mir ist so wunderbar is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Act I: Quartet - Mir ist so wunderbar BPM
The tempo marking of Act I: Quartet - Mir ist so wunderbar by Ludwig van Beethoven, Sir Colin Davis is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Act I: Quartet - Mir ist so wunderbar Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | |
 | Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | |
 | Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | |
 | Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | |
 | Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | |
 | Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | |
 | Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | |
 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.722362756729126
End: 0.7261240482330322