Soloist Orchestra Warzburg, Prof. Hanns Reinhartz made "Brandenburg Concerto No 4, Bwv 1049: Allegro" available on January 1, 1996. Since Brandenburg Concerto No 4, Bwv 1049: Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "The Magnificent Baroque (Vol. 2)". In this album, this song's track order is #4. Brandenburg Concerto No 4, Bwv 1049: Allegro is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Brandenburg Concerto No 4, Bwv 1049: Allegro by Soloist Orchestra Warzburg, Prof. Hanns Reinhartz having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigals to Foure Voyces (1594) - XVIII: Ho! Who comes here? | Thomas Morley, Alfred Deller, Deller Consort | C Major | 2 | 8B | 154 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": III. Jigg (Allegro assai) | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 117 BPM | ||
Sammartini: Flute Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | C Major | 1 | 8B | 67 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Symphony No.3 in C Major: 1. Allegro | William Boyce, The English Concert, Trevor Pinnock | B Major | 3 | 1B | 110 BPM | ||
Keyboard Sonata in A Major, K.322/L.483/P.360: Allegro | Domenico Scarlatti, Balazs Szokolay | A Major | 1 | 11B | 107 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Symphony in C Major, Op. 2 No. 3 "The Chaplet": III. Tempo di menuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 81 BPM | ||
Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM |
Section: 0.5724148750305176
End: 0.5752770900726318