Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II]
Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Johannes Künzel, Hans-Joachim Rotzsch, Hans Martin Nau, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger
Quintessence J.S. Bach: Matthäus Passion, Johannes Passion
1:51 October 1, 2019
BPM
95
Key
A Minor
Camelot
8A

Embed

Share Link

Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] - Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Johannes Künzel, Hans-Joachim Rotzsch, Hans Martin Nau, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger Information

Acousticness
99%
Danceability
25%
Energy
4%
Instrumentalness
22%
Liveness
12%
Loudness
57%
Speechiness
5%
Valence
13%
Popularity
Loudness
-25.56 dB

Summary

"Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II]" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Johannes Künzel, Hans-Joachim Rotzsch, Hans Martin Nau, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. With Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #41. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] BPM

With Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Johannes Künzel, Hans-Joachim Rotzsch, Hans Martin Nau, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Matthäus-Passion, BWV 244, Pt. 2: No. 41, Recitative. "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas) - "Was gehet uns das an?" [Chorus] - "Und er warf die Silberlinge in den Tempel" [Evangelist, Priests I & II] Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai by Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de ParisBach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assaiJohann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de ParisC Major28B83 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : V. LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaB Minor110A87 BPM
Suite From Abdelzar: I. Rondeau by Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne LamonSuite From Abdelzar: I. RondeauHenry Purcell, Tafelmusik Baroque Orchestra, Jeanne LamonD♭ Minor112A101 BPM
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso by César Franck, Joshua Bell, Jeremy DenkViolin Sonata in A major, FWV 8: IV. Allegretto poco mossoCésar Franck, Joshua Bell, Jeremy DenkA Major111B94 BPM
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. by Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra MullejansConcerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I.Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra MullejansD♭ Major33B96 BPM
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) by Ignaz Friedman, Johann Sebastian Bach, Joseph BanowetzFlute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano)Ignaz Friedman, Johann Sebastian Bach, Joseph BanowetzG Minor06A73 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo by Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaConcerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: LargoArcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella IstropolitanaD♭ Major13B118 BPM
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre by François Couperin, Iddo Bar-ShaïLa Petite Pince-Sans-Rire: 21ème ordre, 4ème livreFrançois Couperin, Iddo Bar-ShaïE Minor09A76 BPM
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro by Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcConcerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. AllegroJohann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw SzulcG Major19B122 BPM
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] by Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784]Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-MukhopadhyayE Minor29A112 BPM
ISRC
NLY331502711
Label
L-M Records/RCA Records

Section: 0.8277928829193115

End: 0.8318462371826172