"Porgy and Bess: Summertime" by George Gershwin, Anne-Sophie Mutter, André Previn was released on April 13, 2020. The duration of Porgy and Bess: Summertime is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Porgy and Bess: Summertime's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home With USA Classics by George Gershwin, Leonard Bernstein, Aaron Copland. The song's track number on the album is #4 out of 79 tracks. Porgy and Bess: Summertime is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Porgy and Bess: Summertime by George Gershwin, Anne-Sophie Mutter, André Previn has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Porgy and Bess: Summertime being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let 'Em Eat Cake: Overture | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 122 BPM | ||
Bess, you is my woman now from Porgy and Bess | George Gershwin, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | F♯ Major | 2 | 2B | 71 BPM | ||
Sayuri's Theme - From "Memoirs Of A Geisha" | John Williams, Anne-Sophie Mutter, The Recording Arts Orchestra of Los Angeles | D Minor | 2 | 7A | 90 BPM | ||
Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
Theme From "Schindler's List" | John Williams, Lakatos | D Minor | 1 | 7A | 78 BPM | ||
Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | ||
Triakontameron: No. 11. Alt-Wien (arr. for violin and piano) | Jascha Heifetz, Leopold Godowsky, Vilmos Szabadi, Márta Gulyás | G Major | 1 | 9B | 90 BPM | ||
Almost Like Being In Love | André Previn | E Minor | 1 | 9A | 132 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 14, Juliet's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM |
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