Niccolò Jommelli, Claudio Ferrarini, Fabio Rastelli, Francesco Tasini, Accademia Farnese made "6 Trio Sonatas: I. Sonata in Re Maggiore: III. Minuetto" available on September 17, 2021. The duration of 6 Trio Sonatas: I. Sonata in Re Maggiore: III. Minuetto is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 6 Trio Sonatas: I. Sonata in Re Maggiore: III. Minuetto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Niccolò Jommelli: Sei Trio Sonate per flauto traverso, oboe e cembalo". In this album, this song's track order is #3. Based on our statistics, 6 Trio Sonatas: I. Sonata in Re Maggiore: III. Minuetto's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 6 Trio Sonatas: I. Sonata in Re Maggiore: III. Minuetto by Niccolò Jommelli, Claudio Ferrarini, Fabio Rastelli, Francesco Tasini, Accademia Farnese having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Concerto Ad ubera portabimini | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Biber: Plaudite tympana a 54 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman, Amsterdam Baroque Choir | A♭ Major | 2 | 4B | 85 BPM | ||
The Fairy Queen, Z. 629, Act I: Hornpipe | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 110 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM |
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