Holy Father, God of Might (Arr. Philip Nicholls) - Charles Louis Fouvy, Richard Connolly, Philip Nicholls, The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones Information

Acousticness: 84%
Danceability: 21%
Energy: 29%
Instrumentalness: 98%
Liveness: 11%
Loudness: 79%
Speechiness: 3%
Valence: 15%
Popularity: 3%
Loudness: -12.859 dB

Summary

"Holy Father, God of Might (Arr. Philip Nicholls)" by Charles Louis Fouvy, Richard Connolly, Philip Nicholls, The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones was released on January 6, 2006. The duration of Holy Father, God of Might (Arr. Philip Nicholls) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Holy Father, God of Might (Arr. Philip Nicholls)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 21 in Abide with Me: A Treasury of Classic Hymns by The Choir of Trinity College, Melbourne, Michael Leighton Jones. Holy Father, God of Might (Arr. Philip Nicholls) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Holy Father, God of Might (Arr. Philip Nicholls) BPM

The tempo marking of Holy Father, God of Might (Arr. Philip Nicholls) by Charles Louis Fouvy, Richard Connolly, Philip Nicholls, The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Holy Father, God of Might (Arr. Philip Nicholls) Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
When I Survey the Wondrous Cross	Cantillation, David Drury, David Russell	E♭ Major	1	5B	79 BPM
Sing and Rejoice	The International Staff Songsters of the Salvation Army	C Major	3	8B	161 BPM
Psalm 22 "My God, My God, Look upon Me"	Matthew Camidge, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland	E Minor	0	9A	132 BPM
With Joy We Meditate the Grace	The Coventry Singers	E♭ Major	2	5B	91 BPM
Lord, We Adore You	Christopher Walker	F Minor	2	4A	139 BPM
O Praise the Lord! Give Praise to God (Book Five Doxology) [Psalm 150b]	Crown & Covenant	A Major	2	11B	84 BPM
Now the Day Is Over SHZ 511	Laestadian Lutheran Church, Ian Hendrickson, Kaitlyn Huhta, Liisa Keranen, Laurel Loukusa, Karen McAdams, Jake Muhonen	B♭ Major	1	6B	66 BPM
Psalm 2 "Why Do the Heathen So Furiously Rage Together?"	John Bertalot, Exeter Cathedral Choir, Paul Morgan, Andrew Millington	E Minor	2	9A	173 BPM
Flower In The Crannied Wall	Nigel Butterley, Michael Leighton Jones, The Choir of Trinity College, Melbourne	F Minor	0	4A	133 BPM
I Waited Patiently for the Lord (Psalm 40)	Thomas Attwood Walmisley, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson	C Major	1	8B	118 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5749392509460449

End: 0.5788626670837402