"Psalm 22 "My God, My God, Look upon Me"" by Matthew Camidge, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland was released on January 12, 1990. Since Psalm 22 "My God, My God, Look upon Me" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "Psalms of David, Vol. 2: O Praise the Lord of Heaven". In this album, this song's track order is #17. Based on our statistics, Psalm 22 "My God, My God, Look upon Me"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 22 "My God, My God, Look upon Me" by Matthew Camidge, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
There's a Wideness in God's Mercy | Calvin Hampton, Beverly Hills All Saints' Church Choir, Craig Phillips, Thomas Foster | F♯ Minor | 0 | 11A | 79 BPM | ||
Awake The Harp | Southwestern Seminary Oratorio Chorus, Fort Worth Chamber Orchestra | D Major | 4 | 10B | 110 BPM | ||
Lord, We Adore You | Christopher Walker | F Minor | 2 | 4A | 139 BPM | ||
Psalm 46: God Is Our Refuge and Strength | David R. Erb | C Major | 1 | 8B | 64 BPM | ||
Victimae Paschali | Wipo of Burgundy, Benedictines of Mary, Queen of Apostles | G Major | 0 | 9B | 130 BPM | ||
Salzburg "At the Lamb's High Feast We Sing" | Jakob Hintze, The Chapel Choir of Marlborough College, Ian Crabbe, Robin Nelson | D Major | 2 | 10B | 92 BPM | ||
Christ's Love: I. The Assumption | Geoffrey Burgon, Matthew Owens, Wells Cathedral Choir | D Major | 2 | 10B | 127 BPM | ||
Wesley: Let Earth and Heaven Agree (Millennium) - 1. Let Earth and Heaven Agree | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | A Major | 1 | 11B | 113 BPM | ||
It Is Truly Fitting (Arr. of Bulgarian Chant) | Archangel Voices | B Minor | 2 | 10A | 84 BPM |
Section: 0.5666773319244385
End: 0.5715234279632568