24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer)
Lera Auerbach, Camille Thomas, Beatrice Berrut
Rachmaninoff, Kabalevsky & Auerbach: A Century of Russian Colours
3:01 June 3, 2013
BPM
71
Key
B♭ Minor
Camelot
3A

Embed

Share Link

24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer) - Lera Auerbach, Camille Thomas, Beatrice Berrut Information

Acousticness
96%
Danceability
24%
Energy
28%
Instrumentalness
84%
Liveness
9%
Loudness
68%
Speechiness
4%
Valence
13%
Popularity
Loudness
-18.966 dB

Summary

"24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer)" by Lera Auerbach, Camille Thomas, Beatrice Berrut was released on June 3, 2013. The duration of 24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer) is about 3 minutes long, at 3:01. Based on our data, "24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Rachmaninoff, Kabalevsky & Auerbach: A Century of Russian Colours". In this album, this song's track order is #12. 24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer) BPM

With 24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer) by Lera Auerbach, Camille Thomas, Beatrice Berrut having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

24 Preludes for Cello and Piano, Op. 47: Prelude No. 16 (Tempo di valzer) Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cello Sonata, FP 143: Cavatine: Tres calme by Francis Poulenc, Françoise Groben, Alexandre TharaudCello Sonata, FP 143: Cavatine: Tres calmeFrancis Poulenc, Françoise Groben, Alexandre TharaudB♭ Minor03A122 BPM
Cançoneta for Violin and Orchestra by Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville MarrinerCançoneta for Violin and OrchestraJoaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville MarrinerA Major011B70 BPM
Nocturne No. 2 in C Minor by John Field, Benjamin FrithNocturne No. 2 in C MinorJohn Field, Benjamin FrithC Minor05A67 BPM
Unsent Love Letters by Elena Kats-Chernin, Tamara Anna CislowskaUnsent Love LettersElena Kats-Chernin, Tamara Anna CislowskaD♭ Major03B183 BPM
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation V by Franz Schubert, Andreas Staier, Alexander MelnikovVariations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation VFranz Schubert, Andreas Staier, Alexander MelnikovE♭ Major05B66 BPM
Four Dirges, Sz. 45, Op. 9a: 1. Adagio by Béla Bartók, Alexei LubimovFour Dirges, Sz. 45, Op. 9a: 1. AdagioBéla Bartók, Alexei LubimovE Major012B0 BPM
Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) by Lili Boulanger, Raphaela Gromes, Julian RiemDeux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem)Lili Boulanger, Raphaela Gromes, Julian RiemA Major211B78 BPM
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca by Modest Mussorgsky, Ivo PogorelichPictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attaccaModest Mussorgsky, Ivo PogorelichD♭ Minor012A68 BPM
Asturiana by Manuel de Falla, Kim Kashkashian, Robert LevinAsturianaManuel de Falla, Kim Kashkashian, Robert LevinF Minor04A89 BPM
Vagiorko mai / Don't You Love Me? by Traditional, Khatia BuniatishviliVagiorko mai / Don't You Love Me?Traditional, Khatia BuniatishviliC Minor15A89 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.0216684341430664

End: 1.027289628982544