"Lohengrin / Act III, WWV. 75: Prelude to Act III" by Richard Wagner, Philadelphia Orchestra, Christian Thielemann was released on January 1, 2009. The duration of Lohengrin / Act III, WWV. 75: Prelude to Act III is about 3 minutes long, at 3:06. Based on our data, "Lohengrin / Act III, WWV. 75: Prelude to Act III" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 111 Years of Deutsche Grammophon, so we believe that "Lohengrin / Act III, WWV. 75: Prelude to Act III" is a single. Lohengrin / Act III, WWV. 75: Prelude to Act III is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lohengrin / Act III, WWV. 75: Prelude to Act III by Richard Wagner, Philadelphia Orchestra, Christian Thielemann is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Don Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro) | Wiener Philharmoniker, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Konzertvereinigung der Wiener Staatsopernchor | B♭ Major | 2 | 6B | 90 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | F Major | 0 | 7B | 71 BPM | ||
Carmen Suite No. 1: Prélude. Andante moderato (Prelude to Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 65 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Turandot / Act 1: "Non piangere Liù" | Giacomo Puccini, Luciano Pavarotti, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 3 | 2A | 100 BPM |
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