"Requiem in C Minor: Introitus - Kyrie" by Antonio Salieri, Arianna Zukerman, Simona Ivas, Adam Zdunikowski, Luis Rodrigues, Alice Caplow-Sparks, António Esteireiro, Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster was released on May 25, 2010. Since Requiem in C Minor: Introitus - Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Salieri: Requiem". In this album, this song's track order is #1. Requiem in C Minor: Introitus - Kyrie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem in C Minor: Introitus - Kyrie by Antonio Salieri, Arianna Zukerman, Simona Ivas, Adam Zdunikowski, Luis Rodrigues, Alice Caplow-Sparks, António Esteireiro, Coro Gulbenkian, Orquestra Gulbenkian, Lawrence Foster having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La passione di Gesu Cristo: Part I: Vorrei dirti il mio dolore (Maddalena) | Antonio Salieri, Daniela Citino, Maria Teresa Toso, Nikola Yovanovitch, Mario Scardoni, Giovanna Scardoni, Cappella Musicale della Cattedrale di Verona, Alberto Turco | G Major | 2 | 9B | 123 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Concerto For 2 Harpsichords, Strings, And Continuo In C Minor, BWV 1060 - Arr. For Violin, Oboe, Strings & Continuo: 2. Adagio | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 2 | 5A | 88 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Sonata No. 6 in G Minor, Op. 13, RV 58, "Il pastor fido": III. Largo | Antonio Vivaldi, Béla Drahos, Pál Kelemen, Zsuzsa Pertis | G Minor | 1 | 6A | 88 BPM | ||
Falstaff: Act I Scene 9: Aria: Venga pure il cavaliere (Slender) | Antonio Salieri, József Gregor, Mária Zempléni, Dénes Gulyás, Istvan Gati, Eva Panczel, Tamas Csurja, Eva Vamossy, Salieri Chamber Chorus, Salieri Chamber Orchestra, Tamas Pal | G Major | 1 | 9B | 137 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM |
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