Jean Sibelius, Dong-Suk Kang, Slovak Radio Symphony Orchestra, Adrian Leaper made "Violin Concerto in D Minor, Op. 47: II. Adagio di molto" available on May 17, 1994. Since Violin Concerto in D Minor, Op. 47: II. Adagio di molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Sibelius Collection". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Violin Concerto in D Minor, Op. 47: II. Adagio di molto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Violin Concerto in D Minor, Op. 47: II. Adagio di molto by Jean Sibelius, Dong-Suk Kang, Slovak Radio Symphony Orchestra, Adrian Leaper having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D Minor Op. 22: II. Romance. Andante ma non troppo | Henryk Wieniawski, Bomsori, Jacek Kaspszyk | B♭ Major | 1 | 6B | 96 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Polonaise in B-Flat Major for Violin and Orchestra, D. 580 | Franz Schubert, David Zinman | B♭ Major | 1 | 6B | 98 BPM | ||
Violin Concerto in A minor, Op. 82: 1. Moderato | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 1 | 7B | 80 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel (Allegro moderato) | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | C Minor | 2 | 5A | 118 BPM | ||
L'Arlésienne Suite No. 2, WD 28: 1. Pastorale | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 112 BPM | ||
Piano Concerto in A Minor, Op. 7: III. Finale: Allegro non troppo - Allegro molto | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A Minor | 2 | 8A | 106 BPM | ||
Violin Concerto in A Minor, Op. 82: III. Allegro | Alexander Glazunov, Julia Fischer, Russian National Orchestra, Yakov Kreizberg | A Major | 1 | 11B | 81 BPM | ||
Concerto for Violin and Orchestra in D Major, Op. 35: III. Finale. Allegro vivacissimo | Isaac Stern | D Major | 2 | 10B | 83 BPM | ||
Berceuse, Op. 16 (Version For Violin And Piano) | Gabriel Fauré, Dong-Suk Kang, Pascal Devoyon | D Major | 0 | 10B | 174 BPM |
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