"Five Negro Spirituals from A Child of Our Time: Deep river" by Michael Tippett, John Porter, Christopher Robinson was released on 1982. The duration of Five Negro Spirituals from A Child of Our Time: Deep river is about 3 minutes long, at 3:08. Based on our data, "Five Negro Spirituals from A Child of Our Time: Deep river" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 14 in Choral Music by Brahms, Britten, Standford, Tippett, Harris by The Choir of St George's Chapel, Windsor, Christopher Robinson. Five Negro Spirituals from A Child of Our Time: Deep river is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Negro Spirituals from A Child of Our Time: Deep river by Michael Tippett, John Porter, Christopher Robinson is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Breath Alone: Paula Modersohn-Becker (Version for 2 Sopranos and Chamber Orchestra) | Cecilia Livingston, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Apollo (1947 revision): Tableau II: Variation of Calliope | Igor Stravinsky, London Symphony Orchestra, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 1, Modrá hodina | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F♯ Major | 0 | 2B | 88 BPM | ||
The Midsummer Marriage, Act I Scene 8: Returning to the earth is cruel - Live | Michael Tippett, Edward Gardner, London Philharmonic Orchestra, Robert Murray, Rachel Nicholls, Ashley Riches, Susan Bickley, Joshua Bloom | G Major | 7 | 9B | 133 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Four Orchestral Songs, Op. 1: No. 3, Der Seufzer | Hans Krása, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Symphony No. 5, Op. 50: IIb. Presto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 1 | 8B | 60 BPM | ||
Concerto for double string orchestra: I. Allegro con brio | Michael Tippett, Moscow Chamber Orchestra/Bath Festival Orchestra/Rudolf Barshai, Rudolf Barshai, Bath Festival Orchestra | G Major | 2 | 9B | 83 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM |
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