- BPM
- 92
- Key
- F Major
- Camelot
- 7B
Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni) - Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker Information
- Acousticness
- 98%
- Danceability
- 43%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 20%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 24%
- Popularity
- 0%
- Loudness
- -29.19 dB
Summary
Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker's 'Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni)' came out on October 31, 1988. The duration of Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 8 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni) BPM
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Don Giovanni, K.527, Act I, Scena quarta: Bisogna aver coraggio (Donna Elvira/Don Ottavio/Donna Anna/Leporello/Don Giovanni) Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Don Giovanni, K.527, Act I, Scena seconda: Orsu, spicciati presto (Don Giovanni/Leporello) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 1 | 6B | 47 BPM | |
 | Madama Butterfly / Act 1: Bimba, bimba, non piangere | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Christa Ludwig, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 87 BPM | |
 | Die Walküre / Dritter Aufzug: "Nicht sehre dich Sorge um mich" | Richard Wagner, Régine Crespin, Birgit Nilsson, Brigitte Fassbaender, Helga Dernesch, Berit Lindholm, Vera Schlosser, Vera Little, Helen Watts, Claudia Hellmann, Marilyn Tyler, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 77 BPM | |
 | Rigoletto / Act 3: M'odi, ritorna a casa | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D Major | 0 | 10B | 180 BPM | |
 | Vesperae solennes de Dominica, K. 321: I. Dixit | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 2 | 8B | 116 BPM | |
| Madama Butterfly / Act 1: Ier l'altro il Consolato | Giacomo Puccini, Robert Kerns, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 67 BPM | |
| Madama Butterfly / Act 2: Intermezzo | Giacomo Puccini, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 81 BPM | |
 | Mozart: Le nozze di Figaro, K. 492, Act 3: "Sull'aria ... Che soave zefiretto" (Countess, Susanna) | Wolfgang Amadeus Mozart, Riccardo Muti, Kathleen Battle, Margaret Price, Wiener Philharmoniker | B♭ Major | 1 | 6B | 86 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | |
| Mozart: Don Giovanni, K. 527, Act 2 Scene 16: "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello) | Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker | F Major | 1 | 7B | 95 BPM |
- ISRC
- GBAYC9004397
- Label
- L-M Records/RCA Records
Section: 0.6905877590179443
End: 0.6944622993469238