Alexey Shor, Roman Kim's 'Seascapes: II. "Lonely Sail"' came out on September 14, 2018. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Roman Kim's "KIMPOSSIBLE" album is number 9 out of 12. On top of that, South Korea appears to be the country where this track was created. The popularity of Seascapes: II. "Lonely Sail" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Seascapes: II. "Lonely Sail" by Alexey Shor, Roman Kim to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No.1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Isabelle Faust, Florent Boffard | A Major | 2 | 11B | 141 BPM | ||
Piano Concerto No.2 in B flat, Op.83: 3. Andante - Più adagio | Johannes Brahms, Claudio Arrau, Royal Concertgebouw Orchestra, Bernard Haitink | F Major | 0 | 7B | 87 BPM | ||
Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | ||
Marionettes, No. 2: La Poupée valsante (Arr. Kreisler) | Mak Ka-Lok, Alexandra Kouznetsova, Nison Kravets, Eremey Tsukerman, Lilia Lukianenko, Vladimir Rora, Alexander Konsistorum, Anatoly Lukiyanenko, Andrei Stepine, Hung Chi-Mei | D Major | 3 | 10B | 91 BPM | ||
シューマン:トロイメライ | Robert Schumann, Emiri Miyamoto | F Minor | 2 | 4A | 95 BPM | ||
String Quartet in A Major: II. Andante | Amanda Rontgen-Maier, The Zilliacus Quartet, Cecilia Zilliacus, Julia-Maria Kretz, Ylvali McTigert Zilliacus, Kati Raitinen | D Minor | 1 | 7A | 122 BPM | ||
Sinfonia in B-Flat Major: I. Adagio. Allegro | Theodor von Schacht, Evergreen Symphony Orchestra, Gernot Schmalfuss | F Major | 3 | 7B | 140 BPM | ||
Waltzes, Op. 64: No. 1 in D-Flat Major, B. 164 "Minute Waltz" (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Wiosna, Op. 74 No. 2 (Version for Piano) | Frédéric Chopin, Marek Szlezer | D♭ Minor | 0 | 12A | 68 BPM | ||
Spanish Dances, Op. 21: Danza espanola No. 1: Malaguena, Op. 21, No. 1 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM |
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