"Arnljot, Act 2: Vaino: ”O, vore jag maska, jag knyter”" by Wilhelm Peterson-Berger, Loa Falkman, Iwa Sorenson, Mats Janhagen was released on October 1, 1989. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wilhelm Peterson-Berger, Loa Falkman, Iwa Sorenson, Mats Janhagen's "Homage to Peterson-Berger" album is number 14 out of 15. On top of that, Sweden appears to be the country where this track was created. The popularity of Arnljot, Act 2: Vaino: ”O, vore jag maska, jag knyter” is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Arnljot, Act 2: Vaino: ”O, vore jag maska, jag knyter” by Wilhelm Peterson-Berger, Loa Falkman, Iwa Sorenson, Mats Janhagen to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Swedish Folk-Melodies, Op. 27: No. 2 Du gamla, du friska, du fjellhoga Nord: Moderato | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 63 BPM | ||
All varlden nu sig glader | Johann Steuerlein, Göteborgs Gosskör, Fredrik Sixten | A Major | 2 | 11B | 91 BPM | ||
Arnljot, Act 1: Unn: ”Kommen, kvinnor!” | Wilhelm Peterson-Berger, Stig Rybrant, Barbro Ericsson, Margareta Bergstrom, Sylvan Beré, Sixten Ehrling, Arne Sunnegårdh, Kungliga Hovkapellet | C Major | 3 | 8B | 83 BPM | ||
Shall I Compare Thee | Nils Lindberg, Swedish Chamber Choir, Simon Phipps | A Minor | 2 | 8A | 143 BPM | ||
The fog is lifting | Carl Nielsen, Mikael Beier, Vibeke Franck, Flemming Dreisig | C Major | 1 | 8B | 112 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
Min älskling du är som en ros | Sven-Bertil Taube | A Major | 3 | 11B | 118 BPM | ||
Trumpet Voluntary, op. 6, no. 5: Voluntary | John Stanley, Douglas Bush, David Brown | D Major | 2 | 10B | 61 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Suite im alten Stil, Op. 10: Adagio | Christian Sinding, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 1 | 8A | 94 BPM |
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