"Constellations, Act I Scene 6: Life must go on!" by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson was released on December 15, 2020. The duration of Constellations, Act I Scene 6: Life must go on! is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Constellations, Act I Scene 6: Life must go on!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 37 in Constellations - A Chamber Opera by Efraín Amaya, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Constellations, Act I Scene 6: Life must go on! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Constellations, Act I Scene 6: Life must go on! by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Dan Kempson is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, D.957: Der Doppelgänger | Franz Schubert, Dietrich Fischer-Dieskau, Alfred Brendel | D Minor | 0 | 7A | 168 BPM | ||
Porgy And Bess: Summertime | George Gershwin, John DeMain | B♭ Major | 0 | 6B | 167 BPM | ||
Constellations, Act II Scene 2: It's fine, forget what I said | Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young | G Minor | 4 | 6A | 95 BPM | ||
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
Violin Concerto: I. - | Pozzi Escot, David Fulmer, Carnegie Mellon Contemporary Ensemble, Efraín Amaya | G Major | 0 | 9B | 84 BPM | ||
Hahn: Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Philippe Jaroussky | B Major | 0 | 1B | 83 BPM | ||
Estancia, Op. 8: Scene 1, El Amanecer - Introducción y escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | A Minor | 2 | 8A | 70 BPM | ||
Strauss, R: 4 Lieder, Op. 27: I. Ruhe, meine Seele | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | D Minor | 1 | 7A | 89 BPM | ||
Three Songs from William Shakespeare: Music to Hear | Igor Stravinsky, Ann Murray, Ensemble Intercontemporain, Pierre Boulez | A Major | 0 | 11B | 124 BPM |
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