"Del Común de un Confesor No Pontífice, Responsorio de Maitines: Sint Lumbi Vestir" by Pro Musica Gregoriana, Susana Imbern was released on August 27, 2005. With Del Común de un Confesor No Pontífice, Responsorio de Maitines: Sint Lumbi Vestir being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 22 in the song's album "Tres Manuscritos de Canto Llano en Museos de Buenos Aires". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Argentina. Del Común de un Confesor No Pontífice, Responsorio de Maitines: Sint Lumbi Vestir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Del Común de un Confesor No Pontífice, Responsorio de Maitines: Sint Lumbi Vestir by Pro Musica Gregoriana, Susana Imbern having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ad missam In Die: Introit. Resurrexi | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | D Major | 0 | 10B | 135 BPM | ||
Come, Follow After Me | The Schola Cantorum of St. Peter the Apostle, J Michael Thompson | E♭ Major | 1 | 5B | 139 BPM | ||
Magnificat | St. Patrick Orthodox Church Choir | A Major | 1 | 11B | 108 BPM | ||
Ad Coenam Agni Providi | Monks Of The Benedictine Abbey Of Calcat | A Minor | 0 | 8A | 176 BPM | ||
Domingo de Quasimodo: Kyrie VI ad lib (7º - 8º modo) | Tradicional, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Joseph Gajard | A Major | 6 | 11B | 106 BPM | ||
Missa 17: Agnus Dei | Marek Klein | F Major | 1 | 7B | 77 BPM | ||
Versi sopra la messa della Madonna: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 3 | 3B | 114 BPM | ||
Prochimen Sa Nu Intorci Fata Ta / Prokeimenon Do Not Hide Your Face from Me | Byzantion | E♭ Major | 2 | 5B | 135 BPM | ||
Introit: Deus Israel | Bonaventure Choir | F Major | 0 | 7B | 81 BPM | ||
Prière à St Benoît - Antienne de Magnificat : O caelestis norma vitae | Choeur des moines de l'abbaye Notre Dame de Fontgombault | A♭ Major | 1 | 4B | 75 BPM |
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