Charles Weideman, La Rêveuse, Florence Bolton, Benjamin Perrot's 'Concerto No. 6 for German Flute, Op. 2: III. Amoroso' came out on July 13, 2023. With this song being about 5 minutes long, at 5:04, "Concerto No. 6 for German Flute, Op. 2: III. Amoroso" by Charles Weideman, La Rêveuse, Florence Bolton, Benjamin Perrot is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Weideman: Concerto No. 6 for German Flute, Op. 2: III. Amoroso only contains only one song in the album, we like to consider this song as a single. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Concerto No. 6 for German Flute, Op. 2: III. Amoroso is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 6 for German Flute, Op. 2: III. Amoroso by Charles Weideman, La Rêveuse, Florence Bolton, Benjamin Perrot has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Concerto No. 6 for German Flute, Op. 2: III. Amoroso being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: II. Vivace | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 1 | 3B | 115 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734): No. 6, Violin Sonata in D Major, D, B.D12 / GT 2.D12: I. Adagio | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: I. A tempo giusto | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: II. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Filen, mio caro bene, HanS 263: I. Sinfonia | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | E Minor | 1 | 9A | 109 BPM |
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