"Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Confutatis" by Reinhild Runkel, Munich Philharmonic Orchestra, Sergiu Celibidache, Peter Dvorsky, Kurt Rydl, Chor des Münchner Philharmoniker, Elena Filipova had its release date on November 28, 2005. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. This song is part of Verdi: Messa Da Requiem by Sergiu Celibidache. The song's track number on the album is #10 out of 21 tracks. Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Confutatis is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Confutatis by Reinhild Runkel, Munich Philharmonic Orchestra, Sergiu Celibidache, Peter Dvorsky, Kurt Rydl, Chor des Münchner Philharmoniker, Elena Filipova has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Confutatis being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht" | Franz Schubert, Gewandhausorchester, Kurt Masur, MDR Leipzig Radio Chorus | G Major | 0 | 9B | 85 BPM | ||
Pictures at an Exhibition: X. La grande porte de Kiev | Modest Mussorgsky, Maurice Ravel, Orchestre Mondial des Jeunesses Musicales, Pierre Hetu | D♭ Major | 1 | 3B | 66 BPM | ||
The Thieving Magpie: Allegro | Gioachino Rossini, David Parry, Philharmonic Orchestra | F♯ Minor | 2 | 11A | 97 BPM | ||
Die Frau ohne Schatten, Op. 65 - Act 1: "Hat es dich blutige Tränen gekostet" | Richard Strauss, Reinhild Runkel, Hildegard Behrens, Wiener Philharmoniker, Sir Georg Solti | C Major | 3 | 8B | 86 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Carlos Kleiber, Wiener Philharmoniker | F Major | 2 | 7B | 80 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo (Allegro vivace) | Ludwig van Beethoven, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | E♭ Major | 2 | 5B | 92 BPM |