King Lear Op. 58a - 1941 Production: The Fool's ten songs - The blinding of Glou - City Of Birmingham Symphony Orchestra, Sir Mark Elder Information

Acousticness: 84%
Danceability: 31%
Energy: 32%
Instrumentalness: 89%
Liveness: 14%
Loudness: 79%
Speechiness: 4%
Valence: 56%
Popularity: 0%
Loudness: -12.504 dB

Summary

City Of Birmingham Symphony Orchestra, Sir Mark Elder made "King Lear Op. 58a - 1941 Production: The Fool's ten songs - The blinding of Glou" available on June 28, 2005. With King Lear Op. 58a - 1941 Production: The Fool's ten songs - The blinding of Glou being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #42. In terms of popularity, King Lear Op. 58a - 1941 Production: The Fool's ten songs - The blinding of Glou is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

King Lear Op. 58a - 1941 Production: The Fool's ten songs - The blinding of Glou BPM

With King Lear Op. 58a - 1941 Production: The Fool's ten songs - The blinding of Glou by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.

King Lear Op. 58a - 1941 Production: The Fool's ten songs - The blinding of Glou Key

B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Fantasia on a Theme by Thomas Tallis: II. Poco piu animato	Ralph Vaughan Williams, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla	E Minor	1	9A	80 BPM
Introit, Op. 6	Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon	F Major	1	7B	96 BPM
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo	Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa	G Minor	2	6A	123 BPM
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation VI. L'istesso tempo	Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle	C Major	2	8B	106 BPM
Rusalka, Op. 114 / Act 1: Overture	Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras	E♭ Major	0	5B	64 BPM
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz	Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons	E♭ Major	0	5B	81 BPM
Requiem, Op. 63: IIb. Kyrie II	Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins	E Minor	1	9A	79 BPM
Elizabeth II - Live	Debbie Wiseman, City Of Birmingham Symphony Orchestra	A Minor	4	8A	83 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Britten: Diversions, Op. 21: Variation IV. Rubato	Benjamin Britten, Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle	C Major	0	8B	66 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6645259857177734

End: 0.6689746379852295