"Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria With Chorus. "So ist mein Jesus nun gefangen" (Soprano, Alto, Chorus) - "Sind Blitze, sind Donner in Wolken verschwunden?" [Chorus]" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Adele Stolte, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. With this song being about 5 minutes long, at 5:11, "Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria With Chorus. "So ist mein Jesus nun gefangen" (Soprano, Alto, Chorus) - "Sind Blitze, sind Donner in Wolken verschwunden?" [Chorus]" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Adele Stolte, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria With Chorus. "So ist mein Jesus nun gefangen" (Soprano, Alto, Chorus) - "Sind Blitze, sind Donner in Wolken verschwunden?" [Chorus]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria With Chorus. "So ist mein Jesus nun gefangen" (Soprano, Alto, Chorus) - "Sind Blitze, sind Donner in Wolken verschwunden?" [Chorus] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Adele Stolte, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM |
Section: 0.7516286373138428
End: 0.7584209442138672