"Sacred Concerto No. 21, "Zhiviy v pomoshchi Vishniaho" (He that dwelleth in the help of the Most High): I. Largo" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. The duration of Sacred Concerto No. 21, "Zhiviy v pomoshchi Vishniaho" (He that dwelleth in the help of the Most High): I. Largo is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Sacred Concerto No. 21, "Zhiviy v pomoshchi Vishniaho" (He that dwelleth in the help of the Most High): I. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. Sacred Concerto No. 21, "Zhiviy v pomoshchi Vishniaho" (He that dwelleth in the help of the Most High): I. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sacred Concerto No. 21, "Zhiviy v pomoshchi Vishniaho" (He that dwelleth in the help of the Most High): I. Largo by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Akathistos Hymn: Kontakion | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 83 BPM | ||
Missa Brevis, Op. 102: II. Gloria | Knut Nystedt, Deutscher Jugendkammerchor, Florian Benfer | D♭ Major | 2 | 3B | 97 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 145 BPM | ||
Rise Up My Love | Healey Willan, Choir of Jesus College, Cambridge, Mark Williams | D♭ Major | 1 | 3B | 124 BPM | ||
Three Shakespeare Songs: III. Over Hill. Over Dale | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | A♭ Major | 4 | 4B | 118 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Vespers, Op. 43 O Gentle Light o Holy Gliry | Mikhail Ippolitov-Ivanov, Chamber Choir, Lege Artis | B Major | 0 | 1B | 71 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM |
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