"Matthäus-Passion, BWV 244, Prima parte: Nr.7. Da ging hin der Zwölfen einer (Evangelista, Judas)" by Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Georg Finger had its release date on March 11, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout, Sabine Devieilhe, Lucile Richardot, Christian Immler, Reinoud Van Mechelen, Maitrise De Radio France's "J. S. Bach: Matthäus-Passion, BWV 244" album is number 7 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Matthäus-Passion, BWV 244, Prima parte: Nr.7. Da ging hin der Zwölfen einer (Evangelista, Judas) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Prima parte: Nr.7. Da ging hin der Zwölfen einer (Evangelista, Judas) by Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Georg Finger to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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St. Matthew Passion, BWV 244 / Part One: No. 4 Evangelist: "Da versammeleten sich die Hohenpriester" / No. 5 Chor: "Ja nicht auf das Fest" | Johann Sebastian Bach, Peter Schreier, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 88 BPM | ||
I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | ||
Johannes-Passion, BWV 245, Pt. 2: No. 10, Chorus & Aria: Eilt, ihr angefochtnen Seelen | Johann Sebastian Bach, La Petite Bande, Sigiswald Kuijken, Jens Hamann, Gerlinde Samann, Petra Noskaiova, Christoph Genz | B Minor | 2 | 10A | 77 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (7) Choral (Coro): Gloria Sei Dir Gesungen | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 2 | 10B | 79 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): I. Vivace | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | E♭ Major | 2 | 5B | 89 BPM | ||
Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach | Johann Sebastian Bach, Werner Güra, Johannes Weisser, Johannes Schendel, Akademie für Alte Musik Berlin, René Jacobs | E Major | 2 | 12B | 93 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 5. Coro (Versus IV): Es War Ein Wunderlicher Krieg | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A Major | 1 | 11B | 140 BPM | ||
Elias, Op. 70: Teil II: Ja, es sollen wohl Berge weichen | Felix Mendelssohn, Thomas Hengelbrock | B♭ Major | 1 | 6B | 67 BPM |