- BPM
- 93
- Key
- E Major
- Camelot
- 12B
Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach - Johann Sebastian Bach, Werner Güra, Johannes Weisser, Johannes Schendel, Akademie für Alte Musik Berlin, René Jacobs Information
- Acousticness
- 89%
- Danceability
- 29%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 69%
- Speechiness
- 7%
- Valence
- 19%
- Popularity
- 12%
- Loudness
- -18.685 dB
Summary
"Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach" by Johann Sebastian Bach, Werner Güra, Johannes Weisser, Johannes Schendel, Akademie für Alte Musik Berlin, René Jacobs was released on October 7, 2013. The duration of Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin's "J.S. Bach: St Matthew Passion, BWV 244 (Matthäus-Passion)" album is number 11 out of 70. In terms of popularity, Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach BPM
We consider the tempo marking of Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach by Johann Sebastian Bach, Werner Güra, Johannes Weisser, Johannes Schendel, Akademie für Alte Musik Berlin, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
Matthäus-Passion: Erster Teil, 11. Evangelista, Jesus, Judas Er antwortete und sprach Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I. Gott Ist Mein König BWV 71, 2. Aria (Soprano, Tenore): Ich Bin Nun Achtzig Jahr | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Frank Aarnink, Rien Voskuilen, Peter Frankenberg, Ofer Frenke, Ruth Holton, Vaughan Schlepp, Anneke Boeke, Katherin Steddon, Bas Ramselaar, Pieter Jan Leusink | F Minor | 0 | 4A | 92 BPM | |
 | Harmoniemusik of Die Entführung aus dem Serail, K. 384: I. Overture | Wolfgang Amadeus Mozart, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 0 | 10B | 65 BPM | |
 | St. John Passion, BWV 245: Part II: Recitative: Allda kreuzigten sei ihn (Evangelist) - Schreibe nicht: der Juden Konig (Chorus) – Recitative: Pilatus antwortet (Evangelist, Pilatus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E Minor | 1 | 9A | 125 BPM | |
 | St. Matthew Passion, BWV 244, Part II: No. 41, "Des Morgens aber hielten alle Hohenpriester" (Evangelista, Judas) - "Was gehet uns das an" (Chorus I & II) - "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) | Johann Sebastian Bach, Werner Güra, Johannes Schendel, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | A♭ Minor | 1 | 1A | 76 BPM | |
 | Ich hatte viel Bekümmernis, BWV 21: Recitativo "Ach Jesu, meine Ruh" (Soprano, Bass) | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Maria Keohane, Mathias Vieweg | D Major | 1 | 10B | 77 BPM | |
 | II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | |
 | Nisi Dominus, HWV 238: II. Vanum est vobis | George Frideric Handel, Hugo Hymas, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | |
 | I. Weinen, Klagen, Sorgen, Zagen BWV 12, 1. Sinfonia | Holland Boys Choir, Netherlands Bach Collegium, Trudy Van Der Wulp, Ruth Holton, Sytse Buwalda, Peter Frankenberg, Johann Sebastian Bach, Knut Schoch, Bas Ramselaar, Frank Wakelkamp, Susan Williams, Pieter Jan Leusink | F♯ Minor | 1 | 11A | 74 BPM | |
 | Weinen, Klagen, Sorgen, Zagen, BWV 12: Chorale: Was Gott tut | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 2 | 2B | 186 BPM | |
 | Symphony in G Major, H. 657, Wq. 182/1: III. Presto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6227221488952637
End: 0.6280741691589355