- BPM
- 104
- Key
- F♯ Minor
- Camelot
- 11A
Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance - Camargo Guarnieri, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel Information
- Acousticness
- 71%
- Danceability
- 40%
- Energy
- 29%
- Instrumentalness
- 88%
- Liveness
- 66%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 50%
- Popularity
- 5%
- Loudness
- -25.202 dB
Summary
Camargo Guarnieri, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel made "Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance" available on January 1, 2010. The duration of Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in "Rite" - Stravinsky: Le Sacre du printemps; Revueltas: La noche de los mayas, so we believe that "Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance" is a single. In terms of popularity, Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance BPM
The tempo marking of Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance by Camargo Guarnieri, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Three Dances for Orchestra (Tres Dansas para Orquestra): 1. Brazilian Dance Key
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Norwegian Peasant Dances, Op. 72: No. 16, Kivlemøyane. Springdans. Introduction. Allegro moderato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | |
 | Bunte Blumen, Op. 139: No. 2, Gelbe Iris | Walter Niemann, Tomasz Kamieniak | C Major | 2 | 8B | 66 BPM | |
 | Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | |
 | Suite infantil No. 1, W 053: No. 2, Nenê vai dormir | Heitor Villa-Lobos, Wilhem Latchoumia | D♭ Major | 2 | 3B | 66 BPM | |
 | 12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano) | Sergei Rachmaninoff, Isaac Mikhnovsky, Julia Severus | A Major | 0 | 11B | 67 BPM | |
 | Prélude in E-Flat Minor, Op. 16, No. 4 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | |
 | Piano Sonata No. 1: IV. Ruvido ed ostinato | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | |
 | Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | |
 | Chanson de matin, Op. 15 No. 2 (Arr. for Cello & Piano) | Edward Elgar, Duo Arnicans | G Major | 1 | 9B | 93 BPM | |
 | Danzas cubanas: I. La tarde esta amorosa | Ignacio Cervantes, Clelia Iruzun | E Major | 2 | 12B | 125 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8778200149536133
End: 0.8822095394134521