"The Soul Is Here for Its Own Joy" by Syzygy Saxophone Quartet was released on September 1, 2015. Since The Soul Is Here for Its Own Joy is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Songs for the Coming Day". In this album, this song's track order is #8. The Soul Is Here for Its Own Joy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Soul Is Here for Its Own Joy by Syzygy Saxophone Quartet having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
This Cruel Moon (After Symphony for Band "Wine-Dark Sea") | John Mackey, Dallas Winds, Jerry Junkin | G Minor | 0 | 6A | 82 BPM | ||
Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
Soprano Saxophone Concerto: V. Finale | John Mackey, Vince Gnojek, University of Kansas Wind Ensemble, Scott Weiss | G Minor | 4 | 6A | 87 BPM | ||
Radiant Shadows | Julie Giroux, University of North Texas Symphonic Band, Dennis Fisher | F Minor | 1 | 4A | 73 BPM | ||
Albanian Dance | Shelley Hanson, Rutgers Wind Ensemble, William Berz | A♭ Major | 4 | 4B | 96 BPM | ||
Fracas | Randall Standridge, Lodge Studio Wind Ensemble | F Minor | 6 | 4A | 80 BPM | ||
City Trees | Michael Markowski, Brooklyn Wind Symphony, Brian Worsdale | B♭ Major | 1 | 6B | 84 BPM | ||
Ex Machina: Machine IV (Dancing a Mean Ghastly Dance) | Marc Mellits, Donald Sinta Quartet | G Minor | 3 | 6A | 128 BPM | ||
Oboe Sonata, FP 185: I. Elégie | Francis Poulenc, Alex Klein, Phillip Bush | G Major | 0 | 9B | 117 BPM | ||
Fugue in G minor, BWV 578 | Boston Brass | G Minor | 2 | 6A | 85 BPM |
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