"Rückert-Lieder: Ich atmet' einen linden Duft!" by Gustav Mahler, Christiane Karg, Malcolm Martineau was released on October 9, 2020. The duration of Rückert-Lieder: Ich atmet' einen linden Duft! is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Rückert-Lieder: Ich atmet' einen linden Duft!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Christiane Karg, Malcolm Martineau's "Mahler: Lieder" album is number 11 out of 19. On top of that, France appears to be the country where this track was created. Rückert-Lieder: Ich atmet' einen linden Duft! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rückert-Lieder: Ich atmet' einen linden Duft! by Gustav Mahler, Christiane Karg, Malcolm Martineau to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Symphony No. 4: IV. Wir geniessen die Himmlischen Freuden. Sehr behaglich | Gustav Mahler, Frederica von Stade, Gerhart Hetzel, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 78 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Minor | 2 | 9A | 87 BPM | ||
Daphnis et Chloe: Part III: Bacchanale | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | B♭ Minor | 4 | 3A | 82 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Minor | 0 | 6A | 80 BPM |
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