"Missa Secunda Pontificalis: Kyrie" by Lorenzo Perosi, Corale Polifonica di Sommariva Bosco, Adriano Popolani, Marco Limone was released on April 19, 2019. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lorenzo Perosi, Massimo Nosetti, Marco Limone, Michele Frezza, Coro dell'Accademia Stefano Tempia's "Lorenzo Perosi: Missa Pontificalis - Missa Secunda Pontificalis" album is number 7 out of 14. Missa Secunda Pontificalis: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Secunda Pontificalis: Kyrie by Lorenzo Perosi, Corale Polifonica di Sommariva Bosco, Adriano Popolani, Marco Limone to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L'Allegro, il Penseroso ed il Moderato, HWV 55, Part I: Chorus. Join with thee calm peace, and quiet | George Frideric Handel, Les Arts Florissants, William Christie | E Minor | 1 | 9A | 86 BPM | ||
Elf Choralvorspiele, Op. 122: Nr. 8 Es ist ein Ros' entsprungen | Johannes Brahms, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
Weltliche A-Cappella-Gesänge, Secular A-Cappella Choral Works Op. 42: 1. Abenständchen | Chamber Choir Of Europe, Jürgen Meier, Johannes Brahms, Reinhard Geller, Nicol Matt | G Major | 2 | 9B | 81 BPM | ||
String Trio No. 2: I. Mosso | Lorenzo Perosi, Ensemble L. Perosi | A Major | 0 | 11B | 128 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
La Passione di Cristo secondo San Marco, La cena del Signore: No. 5, Et hymno dicto exierunt in montem (Marco XIV, 17 - 26) | Lorenzo Perosi, Orchestra dell'Accademia Stefano Tempia, Massimo Peiretti, Coro dell'Accademia Stefano Tempia | F Major | 1 | 7B | 92 BPM | ||
Sancta civitas: I was in the Spirit | Ralph Vaughan Williams, Andrew Staples, Matthew Brook, The Bach Choir, Winchester Cathedral Choristers, Winchester College Quiristers, Bournemouth Symphony Orchestra, David Hill | F Major | 1 | 7B | 126 BPM | ||
Messe in Es, Op. 109 "Cantus Missae": Kyrie | Josef Rheinberger, Neuer Kammerchor Berlin, Adrian Emans | E♭ Major | 1 | 5B | 127 BPM | ||
Mass in D Major, Op. 86: IV. Sanctus | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
Missa Praeter rerum seriem: VII. Agnus Dei II | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM |
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