"Mozart: Mass in C minor, K. 427: "Et incarnatus est"" by Wolfgang Amadeus Mozart, Sabine Devieilhe, Raphael Pichon, Ensemble Pygmalion was released on November 6, 2015. Mozart: Mass in C minor, K. 427: "Et incarnatus est" appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Sabine Devieilhe, Raphael Pichon, Ensemble Pygmalion's "Mozart & The Weber Sisters" album is number 15 out of 15. Based on our statistics, Mozart: Mass in C minor, K. 427: "Et incarnatus est"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Mass in C minor, K. 427: "Et incarnatus est" by Wolfgang Amadeus Mozart, Sabine Devieilhe, Raphael Pichon, Ensemble Pygmalion to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 2, Aria. "Stumme Seufzer, stille Klagen" | Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon | D♭ Minor | 1 | 12A | 73 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapete | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 1 | 6B | 118 BPM | ||
St. Matthew Passion, BWV 244: No. 3, Chorale, 'Herzliebster Jesu' | Dietrich Fischer-Dieskau, Sir Peter Pears, Elisabeth Schwarzkopf, Christa Ludwig, Nicolai Gedda, Walter Berry, John Carol Case, Dame Janet Baker | B Minor | 1 | 10A | 81 BPM | ||
Stabat Mater, RV 621: VIII. Fac ut ardeat | Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini | E Minor | 1 | 9A | 66 BPM | ||
Der Stein der Weisen, Act I: Recitative. Das wirst du nie - Welch fremde Stimme hörte ich? | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kurt Streit, Paul Austin Kelly | E♭ Major | 1 | 5B | 129 BPM | ||
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM |
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