Symphonie espagnole, Op. 21: IV. Andante - Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra Information

Acousticness: 82%
Danceability: 19%
Energy: 10%
Instrumentalness: 22%
Liveness: 11%
Loudness: 64%
Speechiness: 4%
Valence: 6%
Popularity: 9%
Loudness: -21.799 dB

Summary

"Symphonie espagnole, Op. 21: IV. Andante" by Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra was released on 1968. Since Symphonie espagnole, Op. 21: IV. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Édouard Lalo, Itzhak Perlman's "Lalo: Symphonie espagnole - Ravel: Tzigane" album is number 4 out of 6. In terms of popularity, Symphonie espagnole, Op. 21: IV. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphonie espagnole, Op. 21: IV. Andante BPM

We consider the tempo marking of Symphonie espagnole, Op. 21: IV. Andante by Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Symphonie espagnole, Op. 21: IV. Andante Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	A♭ Major	0	4B	82 BPM
Violin Concerto in D Major, Op. 61: II. Larghetto	Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani	B♭ Major	4	6B	138 BPM
Guitarre, Op. 45 No. 2	Moritz Moszkowski, Mela Tenenbaum, Anton Nel	G Major	1	9B	123 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Après un Rêve Op.7, No.1	Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa	F Minor	1	4A	96 BPM
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato	Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller	D Major	3	10B	85 BPM
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice	Charles-Auguste de Bériot, Bella Hristova	A Minor	1	8A	102 BPM
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di Menuetto	Wolfgang Amadeus Mozart, Arabella Steinbacher, Daniel Dodds, Lucerne Festival Strings, Festival Strings Lucerne (musical direction)	A Major	1	11B	118 BPM
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio	Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle	E♭ Major	0	5B	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.0107109546661377

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