"Electra: II. Presto - Andantino moderato - Presto" by Alphons Diepenbrock, Bamberg Symphony, Antony Hermus was released on June 20, 2016. Since Electra: II. Presto - Andantino moderato - Presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Diepenbrock: Symphonic Poems by Alphons Diepenbrock, Bamberg Symphony, Antony Hermus. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Electra: II. Presto - Andantino moderato - Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Electra: II. Presto - Andantino moderato - Presto by Alphons Diepenbrock, Bamberg Symphony, Antony Hermus is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holy God (Sviatyï Boje) | Georgy Sviridov, Les Métaboles, Léo Warynski | E♭ Minor | 0 | 2A | 66 BPM | ||
Es war ein alter König | Alphons Diepenbrock, Heinrich Heine, Robert Holl, Rudolf Jansen | E Minor | 0 | 9A | 145 BPM | ||
Variasjoner over Med Jesus vil eg fara: II. Var 1 | Knut Nystedt, Anders Eidsten Dahl | G Minor | 0 | 6A | 56 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, English Baroque Soloists | F♯ Minor | 1 | 11A | 118 BPM | ||
Schubert: Kyrie in B-Flat Major, D. 45 | Franz Schubert, Wolfgang Sawallisch, Bavarian Radio Chorus | A♭ Major | 1 | 4B | 62 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 1, Seit ich ihn gesehen | Robert Schumann, Claudia Barainsky, Delian Quartett | B♭ Major | 0 | 6B | 80 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra, Judith Blegen | G Major | 2 | 9B | 121 BPM | ||
Four Orchestral Songs, Op. 1: No. 3, Der Seufzer | Hans Krása, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM |
Section: 0.6074411869049072
End: 0.610907793045044