"Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato" by Sergei Rachmaninoff, Sviatoslav Richter, Kurt Sanderling, Leningrad Philharmonic Orchestra was released on February 3, 2010. Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rachmaninoff: Piano Concertos No. 1 & 2". In this album, this song's track order is #4. Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato by Sergei Rachmaninoff, Sviatoslav Richter, Kurt Sanderling, Leningrad Philharmonic Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
Gnossiennes Nos. 4-6: Gnossienne No. 4 | Erik Satie, Håkon Austbø | A Minor | 0 | 8A | 76 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Symphonie Fantastique, Op. 14: II. Un bal | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | A Major | 0 | 11B | 166 BPM | ||
Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): II. Adagio molto espressivo | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | A♭ Major | 0 | 4B | 92 BPM | ||
Mendelssohn: Songs Without Words, Book II, Op. 30: No. 6, Allegretto tranquillo, MWV U110 "Venetian Boat Song" | Felix Mendelssohn, Walter Gieseking | F♯ Minor | 0 | 11A | 134 BPM | ||
Symphony No.3 In F, Op.90: 3. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 87 BPM | ||
Suite No.1 for 2 Pianos, Op.5: 3. Tears | Sergei Rachmaninoff, Vladimir Ashkenazy, André Previn | G Minor | 0 | 6A | 128 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Polonaise No.3 in A, Op.40 No.1 - "Military" | Frédéric Chopin, Vladimir Ashkenazy | D♭ Minor | 1 | 12A | 168 BPM |
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