"Symphoniae Sacrae III, Op. 12: Hütet Euch, SWV 413" by Heinrich Schütz, Cantus Cölln, Konrad Junghanel was released on 2005. Since Symphoniae Sacrae III, Op. 12: Hütet Euch, SWV 413 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Schütz: Symphoniae Sacrae III, Op. 12". In this album, this song's track order is #6. Symphoniae Sacrae III, Op. 12: Hütet Euch, SWV 413 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphoniae Sacrae III, Op. 12: Hütet Euch, SWV 413 by Heinrich Schütz, Cantus Cölln, Konrad Junghanel having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, WAB 6 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | D Minor | 0 | 7A | 170 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
Lagrime di San Pietro: III. Tre volte haveva a l’importuna | Orlande de Lassus, Gallicantus, Gabriel Crouch | F Major | 1 | 7B | 182 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
Prime die Lectio secunda: XIII. Zaïn | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 73 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Requiem: I. Introit and Kyrie | Michael John Trotta, London Symphony Orchestra, London Voices | G Major | 2 | 9B | 72 BPM | ||
Geistliche Chormusik, Op. 11: 13. O lieber Herre Gott, wecke uns auf, SWV 381 | Heinrich Schütz, Isabel Schicketanz, Ulrike Hofbauer, Marie Luise Werneburg, David Erler, Oliver Kaden, Georg Poplutz, Stefan Kunath, Felix Schwandtke, Frauke Hess, Ludger Rémy, Dresdner Barockorchester, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 59 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM |
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