"Zaïs, Acte II, Scène 6: Ô Ciel ! croirai-je ses discours (Zélidie)" by Jean-Philippe Rameau, Les Talens Lyriques, Sandrine Piau, Christophe Rousset was released on September 3, 2015. The duration of Zaïs, Acte II, Scène 6: Ô Ciel ! croirai-je ses discours (Zélidie) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Zaïs, Acte II, Scène 6: Ô Ciel ! croirai-je ses discours (Zélidie)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 80 in the song's album "Rameau: Zaïs". In this album, this song's track order is #19. Zaïs, Acte II, Scène 6: Ô Ciel ! croirai-je ses discours (Zélidie) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zaïs, Acte II, Scène 6: Ô Ciel ! croirai-je ses discours (Zélidie) by Jean-Philippe Rameau, Les Talens Lyriques, Sandrine Piau, Christophe Rousset having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Rameau: Second livre de pièces de clavecin, Suite en mi: V. Le Rappel des oiseaux | Jean-Philippe Rameau, Alexandre Tharaud | G Major | 2 | 9B | 87 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Hippolyte et Aricie / Act 4: Premier Menuet - Deuxième Menuet en Rondeau | Jean-Philippe Rameau, Meredith Hall, Ensemble Vocal Sagittarius, Les Musiciens du Louvre, Marc Minkowski | C Major | 1 | 8B | 100 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM |
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