"Cameos: No. 15. The Mirror" by Erik Chisholm, Murray McLachlan was released on April 1, 2013. With Cameos: No. 15. The Mirror being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 37 in Chisholm, E.: Music for Piano, Vol. 4 by Erik Chisholm, Murray McLachlan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Cameos: No. 15. The Mirror is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cameos: No. 15. The Mirror by Erik Chisholm, Murray McLachlan is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations: Piano Alone | John Harbison, Daniel Blumenthal, Janine Jansen, Lars Wouters van den Oudenweijer, Spectrum Concerts Berlin | E Major | 2 | 12B | 68 BPM | ||
From the True Edge of the Great World: Prelude 1. Ossianic Lay | Erik Chisholm, Martyn Brabbins, BBC Scottish Symphony Orchestra | D Major | 3 | 10B | 114 BPM | ||
3 Mozart Transformations, After Poulenc: I. Minuet, K. 1 | Stephen Hough | A Minor | 0 | 8A | 66 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 4, Allegro molto | Richard Strauss, Guillaume Bellom | G Minor | 0 | 6A | 68 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Major | 0 | 8B | 62 BPM | ||
Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Fazıl Say | D♭ Major | 0 | 3B | 82 BPM | ||
Dance Suite for Orchestra and Piano: III. March | Erik Chisholm, Martyn Brabbins, Danny Driver, BBC Scottish Symphony Orchestra | D Major | 3 | 10B | 114 BPM | ||
Nocturne No. 8 in D-Flat Major, Op. 84: No. 5 | Gabriel Fauré, Kathryn Stott | D♭ Major | 0 | 3B | 69 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Étude No. 13 "The Devil's Staircase" | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM |
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