La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Andrew Lawrence-King made "Gesproken tekst XX (13) "Geen huwelijk houdt stand zonder de hulp van de Zotheid" / Muziek (Voortzetting): Belle qui tiens ma vie (Improvisatie Harp)" available on 2012. With Gesproken tekst XX (13) "Geen huwelijk houdt stand zonder de hulp van de Zotheid" / Muziek (Voortzetting): Belle qui tiens ma vie (Improvisatie Harp) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Based on our statistics, Gesproken tekst XX (13) "Geen huwelijk houdt stand zonder de hulp van de Zotheid" / Muziek (Voortzetting): Belle qui tiens ma vie (Improvisatie Harp)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gesproken tekst XX (13) "Geen huwelijk houdt stand zonder de hulp van de Zotheid" / Muziek (Voortzetting): Belle qui tiens ma vie (Improvisatie Harp) by La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Andrew Lawrence-King is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM | ||
Lady Rich's Galliard | Hopkinson Smith, John Dowland | G Major | 1 | 9B | 96 BPM | ||
The Shoemaker's Wife. A Toy (P 58) | John Dowland, Paul O'Dette | C Minor | 1 | 5A | 138 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Daniell Batchelar: Mounsier's Almaine (1610) | Paul O'Dette | F♯ Major | 0 | 2B | 124 BPM | ||
Messe in H-moll, BWV 232: Dona nobis pacem | La Capella Reial De Catalunya | D♭ Major | 4 | 3B | 82 BPM | ||
Cantate Domino, SV 293 | Claudio Monteverdi, Le Concert Spirituel, Herve Niquet | F Major | 2 | 7B | 88 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Magnificat en sol mineur, RV 610: III. Et misericordia eius | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 127 BPM |
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