Joaquín Rodrigo, Andrés Segovia, Symphony Of The Air, Enrique Jorda made "Fantasía para un gentilhombre for Guitar and Small Orchestra: 4. Canario (Allegro ma non troppo)" available on January 1, 2002. With this song being about 5 minutes long, at 5:13, "Fantasía para un gentilhombre for Guitar and Small Orchestra: 4. Canario (Allegro ma non troppo)" by Joaquín Rodrigo, Andrés Segovia, Symphony Of The Air, Enrique Jorda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 10 in Andrés Segovia: Rodrigo / Ponce / Boccherini by Andrés Segovia. Based on our statistics, Fantasía para un gentilhombre for Guitar and Small Orchestra: 4. Canario (Allegro ma non troppo)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Fantasía para un gentilhombre for Guitar and Small Orchestra: 4. Canario (Allegro ma non troppo) by Joaquín Rodrigo, Andrés Segovia, Symphony Of The Air, Enrique Jorda is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Nicola Benedetti, Petr Limonov | E Major | 1 | 12B | 73 BPM | ||
Piazzolla: Oblivion, tango | Astor Piazzolla, Julian Lloyd Webber | D Minor | 0 | 7A | 81 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
John Williams : Schindlers list - Violin - Piano | Magnus Ericsson,violin Hans-Olov Mellqvist,piano | D Minor | 1 | 7A | 89 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Concierto de Aranjuez: II. Adagio - Version pour harpe | Joaquín Rodrigo, Real Orquesta Sinfonica De Sevilla, Isabelle Moretti, Edmon Colomer | A Minor | 2 | 8A | 77 BPM | ||
Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 90 BPM |
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