"in vain" by Georg Friedrich Haas, Sylvain Cambreling, Klangforum Wien was released on April 1, 2001. in vain appears to be safe for all ages as it is not explicit. Because this song is the only song in in vain and no other songs are present in the album, we classify this track as a single. Based on our statistics, in vain's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of in vain by Georg Friedrich Haas, Sylvain Cambreling, Klangforum Wien to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Göreme: II. The Abyss - Live performance on May 20, 2010 | Markku Klami, Patrik Kleemola | D Minor | 0 | 7A | 66 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
7 Klangräume: V. — | Georg Friedrich Haas, Salzburg Bach Choir, Mozarteum Orchestra Salzburg, Ivor Bolton | A♭ Major | 0 | 4B | 85 BPM | ||
Romance | Toru Takemitsu, Kotaro Fukuma | G Minor | 0 | 6A | 164 BPM | ||
7 Papillons: No. 5. — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
Sollima: Improvisation III | Giovanni Sollima | B Major | 0 | 1B | 133 BPM | ||
Alchymia: I. A Sea-Change (…Those Are Pearls…) | Thomas Adès, Mark Simpson, Quatuor Diotima | F♯ Minor | 1 | 11A | 145 BPM | ||
Overture of the plastic flute | Upside Down Upright Bass | E Major | 1 | 12B | 142 BPM | ||
Nacht, Scene 23: Es gibt ein Verstummen (Der Sopran, Der Mezzosopran, Der Tenor, Der Bariton, Der Bass, Der Sprecher) | Georg Friedrich Haas, Klangforum Wien, Peter Rundel, Julie Moffat, Helmut Windhaber, Waltraud Hoffmann-Mucher, Matteo de Monti, Michael Volle, Johannes Schmidt | B♭ Minor | 1 | 3A | 80 BPM | ||
Mégalithes, Version 3: I. 60 | Gérard Grisey, Berger Iver Færder, Halldis Rønning | G Major | 0 | 9B | 71 BPM |
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